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about
Channeling Apollo (1994)
Channeling Apollo is the first single from Silonics' retrospective album: Channeling Apollo/Art Dance Classics (1989 - 2001), which releases in June 2024. It features several works created in collaboration with choreographers for contemporary dance performances, plus some other experimental art music tracks, which are yet to be choreographed, including this one...
Channeling Apollo is a kind of spiritual jazz, recorded in the winter of '94, very late one mid-week evening, when an eerie fogbound stillness had enveloped the grounds surrounding the La Trobe University Music Department's Recording Studio and working alone, this piece was made.
The mythical Greek god 'Apollo' was channeled to bring beauty and creativity and as I felt my way into the music, Monk and Ornette were channeled to shape and colour my improvisations, producing a unique dreamy jazz flavour.
A looped bass pulse quietly starts up a foundational groove and rumble, sparse piano fragments define an angular space, an alto sax tentatively enters and with growing assertiveness unfurls intensifying soaring tones that swirl and dance around the keys, with delay effects accenting and augmenting the interplay and mood...
Did I actually channel Apollo or Monk or Ornette? It is a question that I can't objectively answer, but I know that I tried to and in so doing, I gave myself over to a spiritual process and an intuitive mindset, to feel my way into spontaneously improvising the music that emerged that night, which kept unfolding as I evolved the track with delay fx over the following days.
Six years later, Channeling Apollo was broadcast on New Music Australia on ABC FM classic radio in 2000, when the host and composer Julian Day said that it reminded him of Bowie and now nearly thirty years since it was made, it is being released because it still sounds fresh and beautiful to me, so worth sharing.
Amongst other mythical strengths, Apollo was believed to heal through music and was gifted with the power to end pandemics!!!
So with that in mind... maybe we could all try channeling Apollo to collectively activate musical healing worldwide and so help to overcome our current covid, social, political and environmental calamities... and otherwise bask in the natural healing powers that music can bring to us all... and perhaps choreograph some new art dance moves as we do,,,
credits
Released 5 May 2022
Gary McKie - Bass loop, Grand Piano, Alto Sax, Delay fx
Written, Performed, Recorded and Mixed by Gary McKie (1994)
Recorded at La Trobe University Music Department Recording Studio
Mastered by Lachlan Carrick at Moose Mastering (2019)
Art, Design, Text and Layout by Gary McKie
- Artist Photo: 'Twin' Celluloid Etching (1970) Digital Edit (2022)
- CD Cover: [Soma 1]: 'Molecular Dance' Digital Photo Art (2022)
- Page: 'Miro Movie Portrait' Linocut Print (1984) Digital Edit (2022)
Text proof reading and feedback - Marianne Ajatjies
It is acknowledged that this music was created on the stolen land of the Wurundjeri people of the Kulin nation and respect is paid to indigenous elders past, present and emerging and it is recognised that sovereignty was never ceded.
SILONICS aka Gary McKie composes electro-acoustic, musique concréte and electronic music, collaborating
with
choreographers and producing independent works. Working directly with unique sound palettes for each project,
experimenting with field recordings, improvising with original samples and warping instrumental timbres, continues
the exciting process of avant-garde modernist musical discovery......more
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